I am reading Mark Fisher’s brilliant posthumous collection, K-Pop: The Collected and Unpublished Writings of Mark Fisher (2004-2016) (edited by Darren Ambrose, Repeater Books, 2018) and come across the following passage from his 2004 essay, “K-Punk, or the Glampunk Art Pop Discontinuum.” In the piece, Fisher is trying to define the position of glam rock […]
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